estudos:wrathall:wrathall-2013190-192-projecao-entwurf
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| estudos:wrathall:wrathall-2013190-192-projecao-entwurf [26/01/2026 12:54] – mccastro | estudos:wrathall:wrathall-2013190-192-projecao-entwurf [09/02/2026 20:16] (current) – external edit 127.0.0.1 | ||
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| + | ===== PROJEÇÃO (2013: | ||
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| + | (...) Mas o que quer Heidegger dizer com " | ||
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| + | <tabbox Original> | ||
| + | (...) But what does Heidegger mean by “projection”? | ||
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| + | Projecting in Heidegger’s sense, then, is “apprehending x by looking at y.” The “x” is the particular entity or event that we understand. The “y,” Heidegger tells us, is a possibility. To be specific, the y-term of projection is the pattern of possibilities in terms of which the projector can incorporate the x into the world, thus making sense of it. For projection, the world shows up as a possibility space: “the world, qua world, is disclosed as possible significance ... The totality of affordances is revealed as the categorial whole of a possible interconnection of the ready to Hand” (144, translation modified). | ||
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| + | In projecting, we grasp a thing not in terms of its present, self-contained, | ||
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| + | (191) Projection has a recursive structure, meaning that to understand the y-term, it must itself be projected onto something else. The “stratification” or “layers” (Schichtung) of projection, Heidegger argues, are interwoven (see GA24:398). For example, we understand a baseball bat by projecting it onto the rules of baseball, which govern the possibilities that determine what can and cannot be done with the bat during the game. But we only understand the rules of baseball by projecting them in turn onto (among other things) bats and balls and bases and pitches and swings. And ultimately, Heidegger argues, the possibilities must be projected onto time. The game of baseball affords a certain patterning of the temporal structure of life. | ||
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| + | Of course, in each case, there is some particular, factical me who is projecting something onto its possibilities: | ||
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| + | We shall now attempt to clarify the structure of the understanding that is constitutive of existence. To understand means, more precisely, to project oneself upon a possibility, | ||
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| + | The possibilities that the thing affords depend on the disposedness (Befindlichkeit) of the one doing the projecting — his or her skills, tastes, preferences, | ||
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| + | In every case Dasein, as essentially disposed, has already got itself into definite possibilities ... But this means that Dasein is being-possible which has been delivered over to itself — thrown possibility through and through. (144; translation modified) | ||
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| + | I understand my own thrown disposedness by projecting myself out into the world, thereby discovering what kind of pattern of possibilities shows up for such a being as me: | ||
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| + | If the Dasein projects itself upon a possibility, | ||
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| + | (192), Dasein projects itself “both upon its ‘for-the-sake-of-which’ and upon significance, | ||
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| + | The possibilities into which I project — the patterns of affordances in terms of which I understand anything at all — afford me a leeway only because I am always projecting any particular thing (including myself) onto a plurality of different possibilities. Projection “lets the possibility Stand as a possibility” (GA20: 439), and “when one is diverted into (Sichverlegen in) one of these basic possibilities of understanding, | ||
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| + | The possibilities are not held open, however, in and through an act of cognition: “Understanding is not a mode of cognition but the basic determination of existing” (GA24:392; translation modified). Projecting is not a mental state, but rather a way of being oriented to the significances in the world: | ||
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| + | When I am completely engrossed in dealing with something and make use of some equipment in this activity, I am just not directed toward the equipment as such, say, toward the tool. And I am just as little directed toward the work itself. Instead, in my occupation I move in the affordance relations as such. In understanding them I dwell with the equipmental contexture that is handy. I stand neither with the one nor with the other but move in the in-order-to. (GA24:415; translation modified) | ||
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| + | This is true even of cognitive acts of understanding. Even in developing a philosophical theory or designing a scientific Experiment or describing an event or cashing out a metaphor, I am moving in an open field of relations. I project each word or concept onto a field of possibilities that I know my way around, that immediately offers me affordances for thought: “All ontical experience of entities — both circumspective calculation of the available, and positive scientific cognition of the occurrent — is based upon projections of the being of the corresponding entities — projections which in every case are more or less transparent” (324). | ||
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